À la façon des disc-jockeys qui revitalisent la scène de la musique actuelle en reformatant et en recyclant les sons, Luc Bourdon a procédé à un assemblage virtuose d’archives et d’extraits tirés de 120 films produits par l’ONF pour nous présenter la ville de Montréal des années 1950 et 1960.À la fois documentaire, poème et essai, La mémoire des anges est une expérience unique permettant de revisiter l’histoire de Montréal, avec ses grandes figures, ses lieux emblématiques et ses citoyens ordinaires. Le film se déploie telle une prodigieuse leçon d’histoire : du Red light au maire Jean Drapeau, du marché de la place Jacques-Cartier aux grands magasins du centre-ville, de la construction de la Place Ville-Marie aux usines de textile. On y croise Geneviève Bujold, Oscar Peterson, Monique Mercure et Igor Stravinsky. On y entend Raymond Lévesque, Jean Drapeau et René Lecavalier.Un hommage à la vitalité de Montréal et une déclaration d’amour au cinéma qui saura séduire les spectateurs de toutes les générations.

Watching La Mémoire des anges is like reconnecting with old friends and finding comfort in the familiar embrace of shared history. The film is a glorious reminder of Quebec and Canada’s rich motion picture history, and a chronicle of the evolution of the city of Montreal, from its industrial heyday to its time as a stage for the Quiet Revolution and Expo 67. Consisting of more than 120 excerpts from NFB films, it also reveals the vital role the National Film Board has played in the development of Canadian cinema. Using the works of legendary filmmakers – including Gilles Carle, Claude Jutra, Michel Brault, Arthur Lipsett, Gilles Groulx and Denys Arcand – La Mémoire des anges knits its visual landscape from some of the greatest films ever made in Canada. Director Luc Bourdon arranges these iconic moments into a montage that is both a testament to the works’ enduring artistry and a captivating experience in its own right. Michel Giroux’s meticulous editing exposes the subtle and not-so-subtle effects of time’s passage, from shifts in fashion and transportation to changes in politics and religion. The montage restores a vibrant potency to the films, their interaction with one another encouraging us to reinterpret and reformulate their meanings. Propelling the historical narrative is a soundtrack comprising everything from Igor Stravinsky to a young Oscar Peterson to Paul Anka in Lonely Boy. The resulting work is a moving representation not only of a city and a country, but an entire culture. As much as La Mémoire des anges displays the maturation of Quebec culture, it is an equally adept portrait of the evolution of cinematic technique. Bourdon captures the birth of direct cinema and its transition from documentary to fiction film. Both a lesson in cinema and a much-needed national document, La Mémoire des anges is romantic, reflective and visually transfixing. You will not see another film like it this year, and we will need another sixty years of brilliant filmmaking before we accumulate enough memories for a sequel.

Performance Works 1218 Cartwright Street,

Granville Island

Feb. 12, 6:30 pm

Jeu. 12 fév./Thur. Feb. 12, 2009

6:30 pm La mémoire des anges

Première vancouvéroise

Luc Bourdon

Admission : the membership card (2$)

Merc.4 fév/Wed.Feb.4 / Jeu. 5 fév./Thurs. Feb.5, / Ven. 6 fév. / Fri. Feb. 6, / Sam. 7 fév. / Sat. Feb. 7, Dim. 8 fév. / Sun. Feb.8,

Merc. 18 fév./ Wed. Feb 18 / Semaine du 2 au 6 mars 2009 : Salon du cinéma